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ANDREA ALESSI - Early Renaissance Artist

ANDREA ALESSI - Early Renaissance Artist

We are pleased to invite you to the presentation of the monograph ANDREA ALESSI / Ranorenesansni umjetnik - Early renaissance Artist (Andrija Mutnjaković - author of text, Luka Mjeda - author of photography)...

Exhibition / Award / Monograph PORTRET HRVATSKE 2020

Exhibition / Award / Monograph PORTRET HRVATSKE...

This Exhibition shows 50 authors with one of their portraits. At the opening ceremony we presented this years Award to Walter Sirotić and presented the photo-monograph PORTRET HRVATSKE 2020 with 136...

PORTRET HRVATSKE 2020

PORTRET HRVATSKE 2020

Hrvatski fotografski centar (HFC) će početkom 2020. godine organizirati izložbu fotografskih portreta građana RH te izdati prvu monografiju PORTRET HRVATSKE 2020 kojom ćemo današnju RH predstaviti Europskoj...

Luka Mjeda - ANDREA ALESSI

Luka Mjeda - ANDREA ALESSI

Photography Exhibition of LUKA MJEDA presenting the pre-renaissance Albanian sculptor and architect ANDREA ALESSI.

Luka Mjeda, NEW YORK 03-027, 1988 View larger

NEW YORK TWINS, 1988

B&W negative film 
Archival pigment print 
Hahnemühle FineArt Baryta 325 gr.

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35 x 50 cm - $650 (edition 25)
70 x 100 cm - $950 (edition 10)

“… Architecture is the discipline that, in every age, reflects the contemporary historical discourse of the whole of human knowledge and relationship with the environment. With low angle shots that provide a telling reflection of the universal push of architecture upwards, Mjeda presents them as symbols of incontestable earthly power that reaches for the heaven. This particularly refers to the titanic monoliths of the epoch of liberal and neoliberal capitalism that mark the contemporary line of the join of city and sky, symbolising modern secular power and out-topping by far the towers of temples once unimpeached as the extreme points of structures in space to which the human spirit soared. The almost abstract quality of Mjeda’s compositions, heightened by the decision to produce the prints in black and white, puts in the foreground the transcendental web of the whole series’ conception of Crystal Sky…” Branko Franceschi

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